Kim Lajoie's blog

Another video – inching toward a full song

by Kim Lajoie on June 28, 2015

No, it’s not a full song. But it’s getting closer. The style is a lot closer to what I’m developing over my next creative period. No longer is the deep atmospheric lumber. That was fun while it lasted. But now I’m taking a turn toward a kind of electro/funk (and eventually pop). Upbeat pop tempo, heavy […]

I made a YouTube video of me playing a YouTube video. And sampling it.

by Kim Lajoie on June 14, 2015

So, first of all, this is not a compositional masterpiece. It’s four bars with some funky guitar hits and seventh chords. If you want to know more about Glasfrosch, I reviewed them here and you can read more about them here. You might be mildly interested to have a peek into how I sample and sequence using […]

Enter the iPad

by Kim Lajoie on April 10, 2015

 So, this is interesting. In my quest to simplify my computer setup I’ve been reducing my plugins and other software to bare minimum. Nowadays I’m almost running pure Cubase 8 (fortunately it comes with some great stuff built in). And I’ve been adding more hardware – mainly EQ and compression for some different flavours and to save […]

Acoustic treatment – soundproofing vs absorption

by Kim Lajoie on April 28, 2014

To some people it’s obvious. To many others, it’s a bit more hazy. Acoustic treatment is not the same as soundproofing. Not even a little bit. Yet, often I see the terms being used interchangeably. Or one term used when the other’s meaning is intended. Acoustic treatment is about controlling how sounds behave inside the […]

Heading toward a post-plugin studio

by Kim Lajoie on December 9, 2013

Long time readers might know that I’m pretty conservative with plugins. More specifically: The number of plugins installed and active on my computer. Initially it was for session workflow. Gone are the days of installing and trialling every latest plugin that got released. I long ago realised I could work much faster and get better […]

How to be a mastering engineer. Or, how to be a master

by Kim Lajoie on August 2, 2013

Ian Shepherd: The answer is me. My ears, my experience, my perspective, my skill. Me. I’m the mastering engineer. Pretty arrogant, right ? Tongue-in-cheek contextless quoting aside, Ian makes a really good point. And it’s one that I make frequently to singer/songwriters who ask me for advice about recording their next release in their home studio. I’m all for people having a go […]

A non-musician’s experience in the recording studio

by Kim Lajoie on February 28, 2013

Rick Bennett: Alex, the lead vocalist, spent 40 minutes on the first line alone. There were many times that he heard something in a recording that he didn’t like, but I couldn’t, for the life of me, hear the issue. I also felt a bit of loneliness for Alex–all alone in the isolation booth, and […]

Are you backing up? This is how I do it.

by Kim Lajoie on February 27, 2013

Your work. It’d be a terrible shame to lose it.You’ve heard it all before – hardware fails, accidents happen. The question is: what are you doing to protect yourself? How much will you lose if you accidentally rm -rf *, DELTREE *.* or rd /s /q in the wrong place? For me, it’s a day […]

Forget Tech, It’s About the Notes

by Kim Lajoie on January 24, 2013

Jeff Tolbert: Nobody writes their best work sitting in front of a DAW loaded with samples and plugins. O RLY. But, reading on: [W]ith the plethora of excellent sample libraries, effects and soft synths out there today, it’s easy to make anything sound amazing, even if it’s musically bland. When you write on piano, you […]

An easy way to approach acoustic treatment for your studio

by Kim Lajoie on January 17, 2013

When approaching acoustic treatment for a home studio, you should consider two aspects: reflections and resonance. Reflections are caused by hard surfaces and can make a room sound echoey or fluttery. They blur the sound your hear. Reflections are best addressed by using mid-high frequency absorbers in places where the sound will bounce from your […]